Holy
Tone From Hell
by G-Man
Immedia Wire Service
The Reverend Rocco Semi-Hollow Six-String
Science
and art come gloriously together in the Reverend line of guitars.
The semi-hollowbody style means the Reverends are light in
weight -- but through the perfect combination of materials
and inner airspace, their tone is monumentally gargantuan.
Play a Reverend next to any other guitar and the competition
will just about wilt in comparison.
These
incredible creations begin with a mahogany center block to
which a steel sustain bar is attached. The body around this
resonating hunk has a top and back made from phenolic (a wood-based
material similar to Formica) held together with contrasting-color
molded sides.
Joe
Naylor, famed for his loud amps and speakers, is the mad scientist
behind Reverend Musical Instruments, and tone-hounds in every
genre from art-rock to zydeco will be singing his praises
for starting this company. I know I'm eternally grateful that
he sent Immedia a Rocco model. In the studio where I play
are a vintage Gibson Les Paul, a Fender Custom Shop Tele,
and a $5,000 WRC hand-built by Wayne Charvel. I love all of
these instruments, and each is outstanding in its own special
way. Yet the Reverend Rocco cannot be topped for heavenly
tone from hell.

Carl Verheyen was so impressed he is now endorsing Reverend,
and will be using a Rocco and Slingshot on his upcoming CD.
Looks:
With a unique appearance that neatly combines tuxedo formal
with thrift shop chic, Reverend instruments are very cool.
The "pointy" pickguard has a nifty-fifties flair.
Come to think of it, so does the miracle-material body. Yet
there's a definite space-age modern feel to this thing. The
shape is what you'd expect the Danelectros to grow up to be,
with all the strength and wisdom of an adult guitar. Everybody
here likes the looks of it, but even if you're put off by
the form and aspect of the Reverends, you will absolutely
love the sonics.
Sounds:
The Rocco reverberates beautifully. It feels alive in your
hands, and very responsive. Depending on the room you're in,
it can sound fairly interesting before you plug it in. Hold
your ear close to the strings, and it has a curiously attractive
blend of dead and sparkly string-snap.
We
tried an experiment: we put a Sennheiser Evolution Series
e855 microphone on the unplugged Rocco and laid down a version
of "I Don't Care At All" by Mychel and Scott G (yeah,
that's me) on a Tascam Portastudio. A playback to about a
dozen people elicited some interesting comments. Now, it goes
without saying that everyone raved about the obvious genius,
sensitivity, high moral standards and intense physical attractiveness
of the writers of this song. Quite apart from that, the listeners
spoke about how the track seemed like it had been recorded
with a fairly weak acoustic guitar. Right, a weak acoustic
guitar. When told it was an unplugged electric without f-holes,
they were astonished.
Powered
Sounds:
Plugging in, the Rocco Reverend is quite simply the most versatile
instrument ever created. I know you're not going to believe
what I have to say about the Reverend Rocco until you hear
one played in concert or try one yourself, so I'm not going
to try convincing you with a whole bunch of superlatives and
glowing adjectives. I'll just state the facts: You can get
Les Paul crunch from the bridge humbucker. You can get a jazzbox
fat-mellow tone from the center position. Flicking the coil-tap
switch for the rear humbucker gives you a Tele twang so full
of bite it not only spanks your ears, it goes inside your
head and snaps a rubber band against the nether parts of your
brain. And the damn thing absolutely nails a vintage Strat
tone from the coil-tapped front pickup.
Everyone
who plays the Rocco has a lot to say about this guitar, but
there is universal agreement that the tone, playability and
versatility are beyond anything yet invented. That this critter
lists for $899 is astonishing.
The
neck is solid but not bulky, helping provide excellent tone
and exceptional playability. Everyone agrees with this. Witness
the comments: "I like the neck." "The neck
is great." "Feels great." "I like that
neck." And so on.
But
damn, how can so much rolling, percolating sound come out
of one instrument? I spoke with Joe Naylor by phone and accused
him of sorcery in the creation of such an array of fabulous
sounds. "No," Naylor replied, "nothing miraculous.
Much of the tone comes from the body design, which is fairly
unique and consequently patent-pending. The rest is pretty
much meat-and-potatoes R&D based on established concepts/designs,
fine-tuned to my specs. You have to remember, I'm drawing
on many years of repair, experimentation, and communication
with great players. I've been working on getting the right
combination of materials in the right configuration for ten
years now."
And
talk about quality control: despite being president of the
company, Naylor still plays every guitar before it leaves
the shop, putting his initials on the headstock if it passes
the test.
Verheyen's
Views:
Carl Verheyen is one of the most in-demand studio guitarists
in the world, so I was fortunate to get him to agree to test
drive the Rocco. Whether you're aware of it or not, you hear
Verheyen's work all the time when you go to the movies, watch
a TV show, listen to a commercial, or play somebody else's
hit album. As the leader of the Carl Verheyen Trio, he has
four albums out on tiny Mighty Tiger Records in the States
but with major distribution in Europe. As the lead guitarist
for Supertramp, he regularly plays in front of thousands of
people in arenas on three continents. Each NAMM show finds
him performing for the likes of Lexicon, Parker, and Thomastik-Infeld.
As if that isn't enough, he's also a columnist for Guitar
magazine.
When
I arrived at his house, he met me with a sheepish grin. Some
other things had come up and he apologetically told me he
only had "about five minutes" to play the Reverend.
Five minutes from Carl is worth a lot, so we opened up the
unique, two-tone case, plugged into his double Fender amp
rig, and he unleashed a torrent of notes up and down the fretboard.
After lots of surprised smiles and assorted positive single
syllables ("wow," "great," "nice,"
etc.) he held a bent note for several seconds and delivered
a pronouncement: "This is a truly excellent guitar,"
he said. He went back to playing. Blues. Rock. Country. Songs
from his latest album, "Slingshot." Five minutes
became ten. Fifteen. Twenty. Seventy-two minutes went by before
he put the guitar down. "I could keep playing this for
hours," he said. "The only thing I can think of
to say that's even remotely negative is that I wish it came
with single coils and a maple fingerboard." When informed
that he basically just described the Reverend Avenger model,
he got that "guitar player in gear-lust" look and
said, "I've got to get one."
I
think that's going to be the reaction to most people who play
a Reverend.
Reverend
Rocco Guitar Specifications:
Body Style: Modified double cutaway
Body Type: Semi-hollow; no f-holes
Body: Phenolic
Center Block: 6"-wide mahogany w/steel rod
Scale: 25-1/2"
Nut: graphite
Width at the nut: 1-5/8"
Width at 12th fret: 2-1/16"
Neck: Hard rock maple
Neck Shape: medium oval
Fretboard: Rosewood
Frets: 22 Jumbo
Radius: 12"
Body width: 13" at widest point
Overall length: 38-5/8"
Body depth: 1-7/16"
Hardware: Silver
Truss rod: Single; access at headstock
Pickups: 2 Reverend "zebra" humbucking
Tuners: Enclosed gears
Headstock: 6-in-line; low-friction string trees
Inlay: Dot
Edge Markers: Dot
Controls: Volume, Tone, 3-way switch, 2 coil tap switches
(8 tone configurations)
Price: $899
Case: $109
Reverend
Players:
Jeff Ament
Robert Buck (10,000 Maniacs)
Billy Corgan
Steve Freund (Boz Scaggs)
Brad Houser (Edie Brickell)
Dave Pomeroy (Trisha Yearwood)
Robert Reynolds (Mavericks)
Kid Rock
Jeff Ross (Candy Kayne)
Rick Vito
and many more.
The
G-Man
G-Man
is in 100+ newspapers via Immedia Wire Service, Box 8275,
Calabasas, CA 91302. E-mail (no attachments) to sgcreative@earthlink.net