Holy Tone From Hell
by G-Man
Immedia Wire Service
The Reverend Rocco Semi-Hollow Six-String

Science and art come gloriously together in the Reverend line of guitars. The semi-hollowbody style means the Reverends are light in weight -- but through the perfect combination of materials and inner airspace, their tone is monumentally gargantuan. Play a Reverend next to any other guitar and the competition will just about wilt in comparison.

These incredible creations begin with a mahogany center block to which a steel sustain bar is attached. The body around this resonating hunk has a top and back made from phenolic (a wood-based material similar to Formica) held together with contrasting-color molded sides.

Joe Naylor, famed for his loud amps and speakers, is the mad scientist behind Reverend Musical Instruments, and tone-hounds in every genre from art-rock to zydeco will be singing his praises for starting this company. I know I'm eternally grateful that he sent Immedia a Rocco model. In the studio where I play are a vintage Gibson Les Paul, a Fender Custom Shop Tele, and a $5,000 WRC hand-built by Wayne Charvel. I love all of these instruments, and each is outstanding in its own special way. Yet the Reverend Rocco cannot be topped for heavenly tone from hell.


Carl Verheyen was so impressed he is now endorsing Reverend,
and will be using a Rocco and Slingshot on his upcoming CD.

Looks:
With a unique appearance that neatly combines tuxedo formal with thrift shop chic, Reverend instruments are very cool. The "pointy" pickguard has a nifty-fifties flair. Come to think of it, so does the miracle-material body. Yet there's a definite space-age modern feel to this thing. The shape is what you'd expect the Danelectros to grow up to be, with all the strength and wisdom of an adult guitar. Everybody here likes the looks of it, but even if you're put off by the form and aspect of the Reverends, you will absolutely love the sonics.

Sounds:
The Rocco reverberates beautifully. It feels alive in your hands, and very responsive. Depending on the room you're in, it can sound fairly interesting before you plug it in. Hold your ear close to the strings, and it has a curiously attractive blend of dead and sparkly string-snap.

We tried an experiment: we put a Sennheiser Evolution Series e855 microphone on the unplugged Rocco and laid down a version of "I Don't Care At All" by Mychel and Scott G (yeah, that's me) on a Tascam Portastudio. A playback to about a dozen people elicited some interesting comments. Now, it goes without saying that everyone raved about the obvious genius, sensitivity, high moral standards and intense physical attractiveness of the writers of this song. Quite apart from that, the listeners spoke about how the track seemed like it had been recorded with a fairly weak acoustic guitar. Right, a weak acoustic guitar. When told it was an unplugged electric without f-holes, they were astonished.

Powered Sounds:
Plugging in, the Rocco Reverend is quite simply the most versatile instrument ever created. I know you're not going to believe what I have to say about the Reverend Rocco until you hear one played in concert or try one yourself, so I'm not going to try convincing you with a whole bunch of superlatives and glowing adjectives. I'll just state the facts: You can get Les Paul crunch from the bridge humbucker. You can get a jazzbox fat-mellow tone from the center position. Flicking the coil-tap switch for the rear humbucker gives you a Tele twang so full of bite it not only spanks your ears, it goes inside your head and snaps a rubber band against the nether parts of your brain. And the damn thing absolutely nails a vintage Strat tone from the coil-tapped front pickup.

Everyone who plays the Rocco has a lot to say about this guitar, but there is universal agreement that the tone, playability and versatility are beyond anything yet invented. That this critter lists for $899 is astonishing.

The neck is solid but not bulky, helping provide excellent tone and exceptional playability. Everyone agrees with this. Witness the comments: "I like the neck." "The neck is great." "Feels great." "I like that neck." And so on.

But damn, how can so much rolling, percolating sound come out of one instrument? I spoke with Joe Naylor by phone and accused him of sorcery in the creation of such an array of fabulous sounds. "No," Naylor replied, "nothing miraculous. Much of the tone comes from the body design, which is fairly unique and consequently patent-pending. The rest is pretty much meat-and-potatoes R&D based on established concepts/designs, fine-tuned to my specs. You have to remember, I'm drawing on many years of repair, experimentation, and communication with great players. I've been working on getting the right combination of materials in the right configuration for ten years now."

And talk about quality control: despite being president of the company, Naylor still plays every guitar before it leaves the shop, putting his initials on the headstock if it passes the test.

Verheyen's Views:
Carl Verheyen is one of the most in-demand studio guitarists in the world, so I was fortunate to get him to agree to test drive the Rocco. Whether you're aware of it or not, you hear Verheyen's work all the time when you go to the movies, watch a TV show, listen to a commercial, or play somebody else's hit album. As the leader of the Carl Verheyen Trio, he has four albums out on tiny Mighty Tiger Records in the States but with major distribution in Europe. As the lead guitarist for Supertramp, he regularly plays in front of thousands of people in arenas on three continents. Each NAMM show finds him performing for the likes of Lexicon, Parker, and Thomastik-Infeld. As if that isn't enough, he's also a columnist for Guitar magazine.

When I arrived at his house, he met me with a sheepish grin. Some other things had come up and he apologetically told me he only had "about five minutes" to play the Reverend. Five minutes from Carl is worth a lot, so we opened up the unique, two-tone case, plugged into his double Fender amp rig, and he unleashed a torrent of notes up and down the fretboard. After lots of surprised smiles and assorted positive single syllables ("wow," "great," "nice," etc.) he held a bent note for several seconds and delivered a pronouncement: "This is a truly excellent guitar," he said. He went back to playing. Blues. Rock. Country. Songs from his latest album, "Slingshot." Five minutes became ten. Fifteen. Twenty. Seventy-two minutes went by before he put the guitar down. "I could keep playing this for hours," he said. "The only thing I can think of to say that's even remotely negative is that I wish it came with single coils and a maple fingerboard." When informed that he basically just described the Reverend Avenger model, he got that "guitar player in gear-lust" look and said, "I've got to get one."

I think that's going to be the reaction to most people who play a Reverend.

Reverend Rocco Guitar Specifications:
Body Style: Modified double cutaway
Body Type: Semi-hollow; no f-holes
Body: Phenolic
Center Block: 6"-wide mahogany w/steel rod
Scale: 25-1/2"
Nut: graphite
Width at the nut: 1-5/8"
Width at 12th fret: 2-1/16"
Neck: Hard rock maple
Neck Shape: medium oval
Fretboard: Rosewood
Frets: 22 Jumbo
Radius: 12"
Body width: 13" at widest point
Overall length: 38-5/8"
Body depth: 1-7/16"
Hardware: Silver
Truss rod: Single; access at headstock
Pickups: 2 Reverend "zebra" humbucking
Tuners: Enclosed gears
Headstock: 6-in-line; low-friction string trees
Inlay: Dot
Edge Markers: Dot
Controls: Volume, Tone, 3-way switch, 2 coil tap switches (8 tone configurations)
Price: $899
Case: $109

Reverend Players:
Jeff Ament
Robert Buck (10,000 Maniacs)
Billy Corgan
Steve Freund (Boz Scaggs)
Brad Houser (Edie Brickell)
Dave Pomeroy (Trisha Yearwood)
Robert Reynolds (Mavericks)
Kid Rock
Jeff Ross (Candy Kayne)
Rick Vito
and many more.

The G-Man

G-Man is in 100+ newspapers via Immedia Wire Service, Box 8275, Calabasas, CA 91302. E-mail (no attachments) to sgcreative@earthlink.net