Reverend Workhorse Series
by Jude Gold
Guitar Player Magazine
| Reverend guitars
typically weigh in at a mere 6-1/2 lbs each.
Style-wise, however, these sleek, 6-string
hunks of Americana are undeniable heavyweights,
simultaneously evoking the chromed-out glory
of hot rod cars and the comforting steel-rimmed-Formica
vibe of classic American diners. In an age
that seems to have seen every guitar design
imaginable, the semi-hollow bodies on Reverend
guitars have achieved the most elusive goal
of every guitar designer-a distinct look and
a unique tone, without being freak-of-nature
instruments thattest the bounds of taste and
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Common Features
Aside from color choice
and the option of a maple fretboard, the
chief variation between each Workhorse model
is the pickup/electronics configuration.
All Workhorses ship with the same bridge,
satin-finished neck, graphite nut, S.I.T.
strings (in the gauge of your choice), and
semi-hollow body, but, unlike Premium Series
Reverends, they don't have a beveled, multi-ply
pickguard or Sperzel locking tuners. This
small amount of corner cutting helps Workhorses
come in at well under $600.
Reverend founder Joe Naylor deserves extra
credit for being obsessive about setting
up each guitar perfectly before it is shipped
from his Michigan factory. One would think
more guitar makers would adhere strictly
to this ideal, because nothing helps a brand
new guitar sell better than a straight neck,
butter-smooth frets, perfect intonation,
and strings that can be bent up as much
a major third without fretting out.
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On The Gig
There's something really
satisfying about strolling a few blocks
to the club with three guitars slung over
your shoulder and not getting a muscle cramp
or a tweaked back. Normally, I bring only
one axe to the gig and just risk it. (If
a string pops, I just yell, "Drum solo!")
But the Workhorses are so portable it's
hard leave any of them behind, especially
when they each have such a unique sound.
I brought all three to a handful of performances,
primarily running them through either a
Fender Vibroverb outfitted with a 15"
Eminence, or a Marshall JCM2000 DSL50 driving
a 4x12 bottom loaded with '70s Celestion
greenbacks. It was only when I was chasing
a legit jazz tone that I was stumped. (Hey,
there's just no substitute for a fat archtop.)
For everything else-from Aretha Franklin
and Marvin Gaye on up through No Doubt and
Radiohead, I had nearly every era of guitar
tone covered.
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Instant
Gratification
Workhorse Avenger
TL
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Who's
it for?
Disciples
of the single coil who like boosted
bridge-position cluck and increased
overall sustain.
Kudos
Stratocaster shimmer. Telecaster
intonation. Great playability. Personality
for days.
Concerns
May irk traditionalists.
Price
$559 direct
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Avenger TL
The Avenger TL, with
its 5-position pickup selector switch and
three single coils (including one that is
wound for classic Telecaster cluck and angle-mounted
in the bridge position) instantly reminded
me of my first Fender Stratocaster, but
without the tuning hassles of a standard
vibrato system. For this reason, the Avenger
TL excels in the studio, because it delivers
traditional single-coil glory without sacrificing
solid intonation and the ability keep stationary
notes in tune while playing oblique bends
(in which you hold one note while bending
another). Sound-wise, the guitar radiates
crystalline timbres worthy of reverb-soaked'60s
surf rock treatments, Robin Trower grunge,
or high-gloss '80s-style digital makeovers.
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Instant
Gratification
Workhorse Commando
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Who's
it for?
Passionate
riff sculptors who rock hard in
the bridge position but want single-coil
sparkle at the neck.
Kudos
Pickups are perfectly matched
in output. Humbucker coil tap. Great
playability. Personality for days.
Concerns
May irk traditionalists.
Price
$579 direct
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Commando
The Commando's specialty
is combining the dramatically different
sonic worlds of single-coil and humbucking
pickups. I was truly astonished by how balanced
its two pickups are in output. Even without
the coil-tap switch engaged, the roar of
the bridge-position humbucker never out-shouts
the guitar's fluty neck-position single-coil
tones. It was also with this guitar's bridge
pickup in full scream mode through the Marshall
that I first noticed the aural dividends
earned by having Reverend's standard treble-bypass
circuit rigged to the volume pot. Involving
an extra capacitor, this bit of McGuyvery
allows you cut your volume without losing
most of your high frequencies (as you would
with a typical passive volume circuit).
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Instant
Gratification
Workhorse Slingshot
Custom
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Who's
it for?
Greedy
rock and blues tone mongers who
want five glorious soap-bar sounds
from one guitar.
Kudos
Punchy, in-your-face chime
and girth from each pickup. Great
playability. Personality for days.
Concerns
May irk traditionalists.
Price
$579 direct
EDITORS'
PICK AWARD
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Slingshot Custom
Loaded with three P-90-style
pickups the Slingshot Custom is my personal
fave of the Workhorse line. Like the other
two it has monster sustain, perfect playability,
and undeniable style, so it won over my
ears, eyes, and hands in an instant. But
with its three soap bar pickups, the Slingshot
also won my heart, because in both vibe
and spirit, these pickups seem to perfectly
match Reverend's whole ethos of hollow metal-on-plastic
construction-a perfect match of function
and form. Plus, P-90s have a truly festive
sound for the simple reason that they let
just about every frequency into the tone
party. If you like wide-bodied blues and
rock sounds that are plenty rough around
the edges (especially when overdriven),
this guitar-with its 5-position selector
switch-serves 'em hot and in five different
flavors. The Slingshot Custom wins an Editors'
Pick Award.
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End of the Workday
Nearly everybody who
picked one up commented on what a nice ring
the guitars have- unplugged. Amplified,
these guitars are all the more vocal, and,
in high gain/volume situations, they sing
with feedback without, tonally speaking,
coming loose at the seams. In fact, in terms
of sound and playability, I have absolutely
zero complaints about the Workhorses. That
doesn't, however, mean these guitars are
perfect for everyone. Their distinctive
shape, for instance, may not appeal to all
players, especially on darker stages, where
I noticed that sometimes the jagged, bright
white pickguard seems to be the only thing
visible. Also, the standard chrome armrest
for the strumming arm may take some getting
used to. It is, of course, more comfortable
than the body's beveled plastic edge would
be in its absence, but, at about 3/32"
high beneath your elbow, it does alter your
arm angle slightly, which may bug guitarists
who are particularly technique-conscious.
Finally, these guitar bodies are just a
tad on the small side. If, like me, you're
6'1" and possibly in need of one or
two visits to the gym, you may find these
guitars make you look a bit, well, lumberjack-y.
That said, there's something so undeniably
groovy about the unique looks, tone, and
feel of Workhorses that you may dream of
owning the entire line. Maybe it's because
these imaginative guitars are perfectly
symmetrical and look like a chiseled, matching
set of colored gems in your guitar rack.
Or perhaps it's because you can spill hamburger
grease and ketchup on them and wipe 'em
clean with a paper towel and Windex. Or
maybe it's because they're as American as
apple pie and Harley Davidsons, yet are
as affordable as much of the "outsourced"
competition they face from domestic guitar
makers who contract out their low-end lines
to overseas manu facturers. Whatever the
case, Reverend deserves mad props for their
vibey guitars, inspiring tones, and unshakable
faith in the American dream.
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