Divine Combo
by Author
Guitar Player Magazine
Bench Tests: Reverend Hellhound 40/60
Hellhound Combo wins Editors' Pick Award

Snapshot
Strutting dual 6L6 output tubes, reverb, and ingenious power-cut and voicing circuits, the Reverend Hellhound 1x12 combo delivers superb British- and American-style amp tones. The Hellhound wins an EDITORS' PICK AWARD.

Call Outs

  • 40/60 watt power switch
  • Schizo switch
  • Reverend All-Tone 1250 12" speaker
  • Three-spring reverb
  • Series effects loop
  • 4, 8, 16 ohm speaker outputs
  • Tooled vinyl covering

Divine Combo
Before introducing his vibey, price-busting guitars and basses in 1996, Reverend founder Joe Naylor built amps under the Naylor Engineering brand. Now Naylor is back in the amp business with the Reverend Hellhound 40/60 1x12 combo, which is designed by Naylor and ex-Ampeg guru Dennis Kager.

Construction
The Hellhound forges a unique look with its cowboy-cool, tooled-vinyl covering, gray and white peppered grille cloth, and no-frills control panel and nameplate. Its diminutive size might deceive you, but make no mistake, this little devil is a wolf in sheep's clothing.

The Hellhound's steel chassis houses two glass-epoxy PC boards, but the ceramic tube sockets, jacks, and switches are hand wired and chassis mounted for reliability and ease of maintenance. The amp's tube complement consists of two 6L6s and four 12AX7s including one 12AX7 for the short-spring reverb. Front panel controls include the Schizo (U.S./U.K.) voicing switch, and gain, volume, treble, mid, bass, presence, and reverb knobs. The rear panel sports a series effects loop, three speaker outs (4, 8, and 16 ohm), and a 40/60-watt power switch.

A stenciled-on warning advises that extended, high-volume use of the amp in 60-watt mode may damage its 50-watt Reverend All-Tone 1250 speaker. The Naylor designed ceramic-magnet unit is based on a vintage Jensen C12N, but with an unseamed, British-style cone for smoother overdrive and tighter low end.

Tones
We tested the Hellhound with several guitars including a Hamer Artist Korina, a Fender Deluxe Nashville Tele, and a Paul Reed Smith Custom 24. Cutting straight to the chase, the Hellhound rules, and the keys to its reign are its power-cut and ingenious Schizo circuits.

The latter function yields luscious tones by letting you toggle between U.K. and U.S. modes, and the 40/60 switch tailors the dynamics to suit the country of origin. For example, select 40-watt operation and U.K. mode, and righteous Vox flavors burst from the speaker. The Hellhound cops class A sparkle and grind better than any class AB amp I've played.

Flick the Schizo switch to the States and Bassman-style grind is at your fingertips. (By installing a lower-gain 12AT7 into the preamp's first socket, you can also revel in deliciously lo-fi tweed and Supro tones.) Want to get heavy? Shift to the 60-watt setting and Brit mode, and prepare to be mauled by Hiwatt-like grind or vintage-Marshall crunch. If only the Schizo and power modes were footswitchable! Complementing the Hellhound's tones is its deep-sounding reverb, which offers rich textures throughout its range.

The Hellhound' s tonal flexibility and amazing dynamics make it one of today's best tube-amp deals. If you seek divine tones at a clergyman price, the Hellhound will have you shouting "Hallelujah!".

The Ratings Game
Tone 5
Workmanship 4.5
Features 3.5
Vibe 4.5
Value 5

The Rate-O-Meter: Dismal=1, Excellent=5

Reverend comments: We feel a footswitchable Schizo would not be useful unless it had separate level and tone controls. At that point, it would be a two channel amp and the cost would go up (or the quality would go down). Also a footswitchable power mode switch would not be useful, as it's function is to set the wattage according to room size.

We recommend our Drivetrain overdrive pedal for those who want to switch between clean and dirty sounds.

The speaker is in no danger unless Gain and Volume are simultaneously run at near maximum in 60 watt mode for an extended period of time.